Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE Laura Breier - Grafik - salopp — MAGAZINE

salopp — MAGAZINE — 2012

salopp is a self-initiated magazine for young photography. It creates space for unknown new releases. The first issue shows the work of Lisa Hörterer, Monika Keiler, Nadine Loës and Benjamin Schmidt.

Laura Breier - Grafik - Abc&D — WEBSITE

Abc&D — WEBSITE — 2012

New website for the Munich based design studio Abc&D.
In collaboration with Abc&D and Jens Buss.

Laura Breier - Grafik - Jewelry design — CI Laura Breier - Grafik - Jewelry design — CI

Jewelry design — CI — 2011

Business card and corporate identity for the jewelry designer Eva Maria Bredel-Breier. Typesetting the contact details as pearls on a necklace transforms the silver- and goldsmith work into a typographic form. It represents both the simplicity and inventive approach of her work.

Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O Laura Breier - Grafik - Munich art district — I&O

Munich art district — I&O — 2011

The concept connects the real space with the digital one in a conclusive and creative way using the colour white as a common thread and an overall element. “White Cube” and Thomas Mann’s “Munich was shining” are the themes. The notable institutions of the area were equitably presented like white coordinates, informing and guiding the visitors. The work is the result of a partnership with Janusmedia and tomis. In cooperation with Wangler & Abele.

Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION Laura Breier - Grafik - Menschen und Dinge — EXHIBITION

Menschen und Dinge — EXHIBITION — 2010

With a collection of remarkable objects the Bavarian State Archaeological Collection presents his 125 years of assemblage and analysis work. Chosen from over a million artifacts the culture treassures of Bavaria represetns the human history of culture from the Stone Age to the early modern age. In relation to the anniversary exhibition poster, visual concept and invites were created. In cooperation with Wangler & Abele.

Laura Breier - Grafik - ASM — CI Laura Breier - Grafik - ASM — CI Laura Breier - Grafik - ASM — CI Laura Breier - Grafik - ASM — CI Laura Breier - Grafik - ASM — CI

ASM — CI — 2010

Categorizing and sorting describe well the aspects of archaeology and the work process of the museum. By setting the typefaces in a systematic structure an identity-generating mark was created. That reflects both the way of working and the architectures forms of the museums building. In cooperation with Wangler & Abele.

Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN Laura Breier - Grafik - 4d — CI REDESIGN

4d — CI REDESIGN — 2010

The fourth dimension is time. The change of the seasons shows the landscape in different appearances and differs landscaping from the classic architecture. By creating puplic space topics relevant to society have to be discoursed. Actuality cause the working process. Reason for choosing a monotype font that reflects the spoken word in a very clear, linear and pure articulated way. Full-sized photographys of key projects on the printed products complete the coporate identity. In cooperation with Wangler & Abele.

Laura Breier - Grafik - Communication and space — LEAFLET

Communication and space — LEAFLET — 2009

An exhibition of Wangler & Abele. Design concepts as well as realisation of key projects are shown. Transparent information sheets to cut off with short discription of the exposed projects reflecting the way of working. Despite the digital age sketch tracing paper is still an essential tool in the design process of Wangler & Abele.

Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK Laura Breier - Grafik - Immer geradeaus — BOOK

Immer geradeaus — BOOK — 2009

The Landwehr Street in the centre of Munich is characterised by Turkish and Arabic culture. The book “Immer geradeaus” (Always straight on) documents the street neither embellishing nor judgmental. It shows the entity of three mosques in backyards, reports on social institutions, talks to residents, artists and business men. A portait with regard to previous and future changes. In cooperation with Elena Carl, diploma.

Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT Laura Breier - Grafik - SQ 324 — FONT

SQ 324 — FONT — 2007

Conception of a modern slab serif typeface with the typical qualities of an Egyptian. A typedesign project with Hans Jürg Hunziker and Rudolf Barmettler, Zurich University of the Arts. In cooperation with the class VVK-5. Available on request.

Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK Laura Breier - Grafik - Vom Verschwinden — BOOK

Vom Verschwinden — BOOK — 2007

A book dealing with disappearances. Bizarre, dubious, common. Ten articles from the issues of two of the most important Swiss magazines – Das Magazin and NZZ Folio – offered the background for experimental bookdesign. In cooperation with Anja Gindele.

Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O Laura Breier - Grafik - Botanic garden Zurich — I&O

Botanic garden Zurich — I&O — 2007

The principle of the kit is both a concept and a guiding idea during the creation of an orientation system for the botanical garden Zurich. A garden is a dynamic living space. The aim was to create a flexible system, easy to produce on location. Specifications are a type which is optimized for the engraving machine and guidelines for signs as sizes, grid, type and colour. A data bank simplifies the production process. In cooperation with Barbara Hoffmann, Florian Jakober, Eduardo Iborra Wicksteed, Michael Zehnder, Zurich University of the Arts.